
I attended a screening of Batman Begins at the DGA last night, hosted by BAFTA, so
Christian Bale came and spoke (yes he is, in fact, super fucking cute). He said two things of interest-
one- that he speaks in his American accent when he's out promoting this film- which got some laughs, but the Brits didn't seem to appreciate it too much.
And two- blah blah blah I hope this is the definitive Batman blah blah blah I'm hot in spite of my odd mouth which makes me look unique, Heather Fink, sleep with me blah blah blah . . .
It was cool.
Moving along, my review: (I'm not going to say anything that will ruin the movie for you)
Casting:Christian Bale makes an excellent Batman, bar none. But I can't really compare him to previous Batmans or say he was the best one (prior to this Batman I thought Keaton was best) because it is an entirely different movie with an entirely different approach, and his greatness as Batman is part him and part the movie.
Liam Neeson rocks pretty hard. The last movie I saw him in was Kinsey, and to see him in such a starkly different role shows his range. Nice range Liam, you da man.
Micheal Caine is a wonderful Alfred. Here we see an Alfred that is so much more of a complete character than he's ever been. I really appreciated his performance.
Morgan Freeman couldn't have been a more perfect Lucious Fox. Flawless, simple performance. I am now more interested in him as an actor after seeing him here.
Gary Oldman as Commissioner Gordon!!! Ok, so much more complexity was brought to Gordon than I have ever seen as well, and this is largely because of Oldman, his body, facial expressions, reactions- he emotes vulnerability and maintains a gritty masculinity at the same time. Impressive.
Cillian Murphy is so creepy/sexy. I saw him first in Intermission and wanted a piece of him there. God those creepy lucid blue eyes are so cool! Anyhow, yeah, he's a perfect fit for the role as well. It wasn't too challenging acting wise, but he delivers.
Tom Wilkinson does a good job, nothing great, but certainly nothing wrong with it either. I'd say he was a good choice for the role- but I would've loved James Gandolfini in the part . . .
Ken Watanabe's role isn't that substantial. The dude doesn't talk all that much so . . . he looked cool I guess. I dunno why but I would've also liked
Chow Yun Fat in the role. He's just so badass.
Miss Katie Kate as you could guess, really didn't bring much to the table. She wasn't bad at all, just with such amazing casting, her "just ok"ness kind of stands out. Many people were saying how unimpressed they were while leaving the theatre. And why the fuck does she talk out of the one side of the mouth? I find that really distracting. Her look is good for the part- but she really should've been older since she's playing the DA. I'm thinking Sandra Bullock, or sticking with younger, Zoey Deschaniel, would've been better choices.
Young Bruce Wayne is good, very Finding Neverland style child acting performance, but the writing for his role isn't great.
Overall
This movie is unlike any other movie I have seen. That being said, it's great and not so great at the same time. It's wonderful, but still flawed. The exposition in the beginning is kind of hokey- at least in the young Bruce Wayne scenes. I absolutely loved the way I was introduced to adult Bruce Wayne. The most annoying thing in the whole movie is the writing in the beginning, the dialogue, which isn't very smart, trying too hard to be deep regarding the issue of fear. The words
afraid and
fear are used over and over again to the point that it's just dumb after a while, thankfully it stops later on in the movie. The dialogue where these words are over used had sooo much more potential.
Either way, what's special about this movie is it's entirely unique grasp of reality and fantasy. The fantasy is there- the city of Gotham, a uniquely corrupt world reminiscent of Sin City- it's own rules, it's own reality. But Christopher Nolan's MO is clearly to create
a real, emotional, human approach to a superhero. There are explanations for the wonder. The existence of Batman becomes entirely plausible. And I have never seen anything like it. Here are these iconic figures in our world, and here Nolan and Goyer have breathed a whole new identity and life into something that has been a part of pop culture for so long. This is a drama. This is no Adam West. This is the sexy, gritty, emotional, vulnerable man behind Batman- embraced by pop culture as the ultimate brooding and dark figure that any person discontent with society lusts to have someone see in them. People, men in particular, want to be Batman, they want to be thought of as dark and disturbed and as more than meets the eye. They fantasize that someone would believe they have some better life behind what they show you on the surface. I can't blame them. I'm blonde after all. Anyhow, this real, human approach extends to all characters in the movie, not just Batman. It's cool.
It's not the flashy, prop heavy, green screened, CGI, visual jerkoff that we're used to seeing of comic book movies. Nope, it's clearly no Robert Rodriguez or Shumacher or Burton type thing going on here. But what Nolan did was realize the potential of these kinds of fantasy stories. It opened my mind to wonder what Merchant Ivory could do with a fantasy (not that I'm into Merchant Ivory), or David O Russell, or Cameron (he's done fantasy but not superheroes). Nolan discarded precident here and that's what was new. And it made sense for Batman, he's the man, no superpowers, and he feels pain. And that's also real, because humans reveal that which is most extraordinary when they move out of the thick of pain. You can't see blood without a cut.
And this Batman did deliver some cool machinery and the kind of mass destruction which is an absolute feast for the eyes, but it was somewhat careful about this, and it wasn't overdone. What's surprising is that one of the most beautiful images is early on in the movie, a frozen landscape.
The whole villainous plot reminded me of Taliban, as it seems most movies with villainous plots allude to these days . . . but I actually don't think it was on purpose here.
At the end of the movie, some members the audience, which was mostly composed of industry people, screamed and hollered- a message to the creators, some of which had to be present, that they loved it. It's a pleasure.